Make your own free website on

"...We just think that shorter albums will be more popular in America"


This seems to be the attitude of Epic Records who are releasing the Tribute Album, titled Burning London.
It appears now that there will be not one but two editions of the long-awaited Tribute Album featuring such artists and bands as Rancid, The Afghan Whigs and The Urge. The differences in these two versions(one slated for US release and the other for international) is not just a simple difference in cover art, it is as complicated as a seven track difference. Yes, Ladies and Gentlemen you heard correctly, 12 tracks on one album,19 on another. It's the American fans who will be hit hardest. Some Absentees from the American version include, The Guns of Brixton(Unwritten Law),Rock The Casbah(Ranking Roger, from the Beat) and Garageland(Frosted). The source for this is a January 14th article from SonicNet which I have placed here on my page, but if you want to see the links and pictures from that article included then view it here.

It didn't take much wrangling to get Third Eye Blind frontman Stephen Jenkins to honor '70s Brit-punk pioneers the Clash.

Jenkins -- singer for the multimillion-selling pop-rock band Third Eye Blind -- said his group leaped at the chance to record a track for the upcoming project, The Clash Tribute:

Burning London. "The Clash are one of our biggest influences," he said. "We love the raw quality of their playing and the sense of experimentation and lack of pretense in their music. They are one of the only bands I think successfully combined politics and music." Modern rockers and hip-hoppers from new school punks Rancid to hard-core gangsta-rapper Ice Cube and Mack 10 fell right into line and contributed tracks to the album as well. Among the other acts anxious to sing along to Clash tracks were No Doubt, folk duo the Indigo Girls and rockers Cracker. The album is slated to be released March 12.

"I jumped into this about three years ago and once I did, it was so easy to get people interested," album co-producer Jason Rothberg, 28, said.

Rothberg explained that once ska-pop group 311 signed on to do a cover of the classic Clash track "White Man In Hammersmith Palais" it spurred an offering from No Doubt, which led to a selection from avowed Clash fanatics Rancid.

"[Rancid leaders] Tim [Armstrong] and Lars [Frederiksen] jumped at the chance to do this, in a heartbeat," Rothberg said. As it happens, Rancid -- the San Francisco Bay Area quartet -- have paid homage to the Clash in many of their agit-pop punk tunes.

There were almost too many willing contributors, Rothberg said. He added that the large number of artists eager to pay homage to the Clash -- along with financial reasons tied to publishing issues -- will result in only 12 of the 21 recorded tracks being used on the U.S. version. Nineteen of those will appear on the international edition.

"I think a lot of young musicians are starting to realize how important the Clash were to music," Rothberg said. "And between this and [an upcoming] live album, it will hopefully get the younger fans out there into the Offspring and Rancid to go back and see what the Clash were about.

With tracks from ska-pop groups the Mighty Mighty Bosstones ("Rudie Can't Fail") and the Urge ("Radio Clash"), as well as rock acts Cracker ("White Riot"), Silverchair ("London's Burning") and Third Eye Blind ("Train In Vain [Stand By Me]"), the U.S. version of the album will present an eclectic roster of talent. It's the sort of lineup that befits a ground-breaking, politically active band such as the Clash.

Also slated for the U.S. edition album are: Rancid ("Cheat"); Ice Cube and Mack 10 with members of Korn ("Should I Stay Or Should I Go"); the Indigo Girls ("Clampdown"); electronic artist Moby and singer Heather Nova ("Straight To Hell"); soul-rockers Afghan Whigs ("Lost In The Supermarket"); 311 ("White Man In Hammersmith Palais"); and No Doubt with backing

vocals by new-wave icon Billy Idol ("Hateful"). The international edition of the album is expected to include: Three Amoebas -- featuring Red Hot Chili Peppers bassist Flea on vocals, guitarist John Frusciante and ex-Jane's Addiction drummer Stephen Perkins on percussion ("Washington Bullets"); punk bands Unwritten Law ("Guns Of Brixton"), Face to Face ("Tommy Gun"), Frosted ("Garage Band") and, produced by Social Distortion leader Mike Ness, MXPX ("Janie Jones"); and reggae dancehall singer Pato Banton with former English Beat vocalist Rankin Roger ("Rock The Casbah").

The Clash had a relatively short career (1976-1986), which, nevertheless, had a major impact on the rock landscape. The London-spawned band opened the doors for latter-day pop music experimentation with its blending of punk, rap, ska, dub and reggae influences into such politically charged tunes as "White Riot" and "London's Burning" (RealAudio excerpt).

Although they achieved their greatest commercial success later in their career with radio favorites such as "Rock The Casbah" (RealAudio excerpt) and "Should I Stay Or Should I Go" -- off the band's 1982 platinum record, Combat Rock -- the Clash's most critically lauded album was the ambitious double-disc, 1979's London Calling.

In the spirit of the Clash's experimentation, the Afghan Whigs melded two different tracks from the Clash to come up with their contribution to the set. "For [our cover of] 'Lost In The Supermarket,' we took the drum beat from 'Train In Vain' and sampled that and did the song over that," Whigs bassist John Curley explained. "It's a little more ethereal sounding. It's got acoustic guitars ... it's a little quieter, a little moodier, a little more nighttime than the Clash version, but that's a great song."

Curley said he wasn't a huge Clash fan growing up, but he often practiced playing bass by learning songs such as "London's Calling." "I learned 'Magnificent 7,' [and] that was kind of a milestone when I could hack my way through that," Curley said.

A portion of the proceeds from the album will go to Clash vocalist/guitarist Joe Strummer's charity of choice: the Children's Hospital-Los Angeles High Risk Youth Program. Rothberg said the more limited number of songs on the U.S. version was an attempt to ensure the program would get as much of a benefit from the album's sales as possible.

"Joe has given the album his blessing," Rothberg, who is also Strummer's acting manager, said. "And the other members know it's happening, but we wanted this to be punkier [than other tribute albums], so we don't want them out there trying to sell it for us. We just realized that there's a whole new generation out there with an opportunity to rediscover this very important band."

Casbah Club webmaster Jason Stebner could not have said it better: "The lowest common denominator folks".

Extended thanks to Jason Stebner for excellent quote and similar article on the subject as well as tribute album comparison, Sonicnet for article and all the shitty bands on the tribute album for making this article possible.


The Mighty Mighty Bosstones-Rudie Can't Fail
The Urge-This is Radio Clash
Cracker-White Riot(acoustic rendition)
311- White Man in Hammersmith Palais
The Mods-Clash City Rockers
Indigo Girls-Clampdown(spoken word rendition?)
Third Eye Blind-Train In Vain
Moby with Heather Nova-Straight To Hell
No Doubt and Billy Idol-Hateful
Afghan Whigs-Lost In The Supermarket
Ice Cube/Mack Ten/Korn-Should I stay or should I go
Silverchair-London's Burning

INTERNATIONAL LINEUP(all of the above plus those listed below)

Face to Face-Tommy Gun
MxPx with Mike Ness-Janie Jones
Unwritten Law-Guns Of Brixton
Ranking Roger and Pato Banton-Rock The Casbah
Three Amoebas(Flea,John Frusciante,Stephen Perkins)-Washington Bullets